To begin at the beginning:
It is Spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and- rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows’ weeds. And all the people of the lulled and dumbfound town are sleeping now.
Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the webfoot cocklewomen and the tidy wives. Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glow-worms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrogered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wet-nosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs.
You can hear the dew falling, and the hushed town breathing.
Only your eyes are unclosed to see the black and folded town fast, and slow, asleep.
And you alone can hear the invisible starfall, the darkest-before- dawn minutely dewgrazed stir of the black, dab-filled sea where the Arethusa, the Curlew and the Skylark, Zanzibar, Rhiannon, the Rover, the Cormorant, and the Star of Wales tilt and ride.
Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llareggub Hill, dewfall, starfall, the sleep of birds in Milk Wood.
Listen. It is night in the chill, squat chapel, hymning in bonnet and brooch and bombazine black, butterfly choker and bootlace bow, coughing like nannygoats, suckling mintoes, fortywinking hallelujah; night in the four-ale, quiet as a domino; in Ocky Milkman’s lofts like a mouse with gloves; in Dai Bread’s bakery flying like black flour. It is to-night in Donkey Street, trotting silent, with seaweed on its hooves, along the cockled cobbles, past curtained fernpot, text and trinket, harmonium, holy dresser, watercolours done by hand, china dog and rosy tin teacaddy. It is night neddying among the snuggeries of babies.
Look. It is night, dumbly, royally winding though the Coronation cherry trees; going through the graveyard of Bethesda with winds gloved and folded, and dew doffed; tumbling by the Sailors Arms.
Time passes. Listen. Time passes.
Come closer now.
-Dylan Thomas

To begin at the beginning:

It is Spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and- rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows’ weeds. And all the people of the lulled and dumbfound town are sleeping now.

Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the webfoot cocklewomen and the tidy wives. Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glow-worms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrogered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wet-nosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs.

You can hear the dew falling, and the hushed town breathing.

Only your eyes are unclosed to see the black and folded town fast, and slow, asleep.

And you alone can hear the invisible starfall, the darkest-before- dawn minutely dewgrazed stir of the black, dab-filled sea where the Arethusa, the Curlew and the Skylark, Zanzibar, Rhiannon, the Rover, the Cormorant, and the Star of Wales tilt and ride.

Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llareggub Hill, dewfall, starfall, the sleep of birds in Milk Wood.

Listen. It is night in the chill, squat chapel, hymning in bonnet and brooch and bombazine black, butterfly choker and bootlace bow, coughing like nannygoats, suckling mintoes, fortywinking hallelujah; night in the four-ale, quiet as a domino; in Ocky Milkman’s lofts like a mouse with gloves; in Dai Bread’s bakery flying like black flour. It is to-night in Donkey Street, trotting silent, with seaweed on its hooves, along the cockled cobbles, past curtained fernpot, text and trinket, harmonium, holy dresser, watercolours done by hand, china dog and rosy tin teacaddy. It is night neddying among the snuggeries of babies.

Look. It is night, dumbly, royally winding though the Coronation cherry trees; going through the graveyard of Bethesda with winds gloved and folded, and dew doffed; tumbling by the Sailors Arms.

Time passes. Listen. Time passes.

Come closer now.

-Dylan Thomas




“The more our bodies fail us, the more naked and more demanding is the spirit, the more open and loving we can become if we are not afraid of what we are and of what we feel. I am not a phoenix yet, but here among the ashes, it may be that the pain is chiefly that of new wings trying to push through.”
-May Sarton

“The more our bodies fail us, the more naked and more demanding is the spirit, the more open and loving we can become if we are not afraid of what we are and of what we feel. I am not a phoenix yet, but here among the ashes, it may be that the pain is chiefly that of new wings trying to push through.”

-May Sarton


Long ago, Plato who was born 427 years before the Nazarene, Plato, that wise man, said: - “All wars arise for the possession of wealth”.
That is as true a word as ever was spoken. For to the present day in all wars the object is to protect or to seize money and property and power; and there will always be wars so long as Capital rules and oppresses the people.
When international capital finds itself threatened by mutual competition, and when the furnace-barons and factory owners begin to have differences among themselves, then they rattle their sabres and spurs and they call out:
“The Country is in danger!” (They mean by “country” always the moneys-bags!)
And wonderfully enough the working slaves of all lands abandon their plough and their anvil, they hasten to arms, and protect the life and property of their masters with their own blood and life. What did I say? “That this is strange?” No, it is quite natural - a natural monstrosity! For it is not the state power and force alone that compels all “subjects” to protect the throne and the money-bags, and to die for them.
Capital has not only economic power in its hands; it has, equal measure and with equal power, subjected the proletariat also intellectually.
This fact is easily overlooked and there still remains, therefore, so much bourgeois ideology in the proletariat!
I, therefore, always say to my brothers, the proletarians, I say to the class-war fighters: - “Free yourselves from bourgeois prejudices!
Fight against capitalism within yourselves! In your thoughts and in your actions there still lurks unspeakably much of the Philistine and the soldier, and almost in every one there is hidden a drilled subaltern, who wishes only to dominate and command, even if it be over his own comrades and over his wife and children in his family!”
But I also say to those bourgeois pacifists, who seek to fight against war by mere hand caresses and tea-cakes and piously up-turned eyes:
“Fight against Capitalism - and you fight against every war!’-
Ernst Friedrich

Long ago, Plato who was born 427 years before the Nazarene, Plato, that wise man, said: - “All wars arise for the possession of wealth”.

That is as true a word as ever was spoken. For to the present day in all wars the object is to protect or to seize money and property and power; and there will always be wars so long as Capital rules and oppresses the people.

When international capital finds itself threatened by mutual competition, and when the furnace-barons and factory owners begin to have differences among themselves, then they rattle their sabres and spurs and they call out:

“The Country is in danger!” (They mean by “country” always the moneys-bags!)

And wonderfully enough the working slaves of all lands abandon their plough and their anvil, they hasten to arms, and protect the life and property of their masters with their own blood and life. What did I say? “That this is strange?” No, it is quite natural - a natural monstrosity! For it is not the state power and force alone that compels all “subjects” to protect the throne and the money-bags, and to die for them.

Capital has not only economic power in its hands; it has, equal measure and with equal power, subjected the proletariat also intellectually.

This fact is easily overlooked and there still remains, therefore, so much bourgeois ideology in the proletariat!

I, therefore, always say to my brothers, the proletarians, I say to the class-war fighters: - “Free yourselves from bourgeois prejudices!

Fight against capitalism within yourselves! In your thoughts and in your actions there still lurks unspeakably much of the Philistine and the soldier, and almost in every one there is hidden a drilled subaltern, who wishes only to dominate and command, even if it be over his own comrades and over his wife and children in his family!”

But I also say to those bourgeois pacifists, who seek to fight against war by mere hand caresses and tea-cakes and piously up-turned eyes:

“Fight against Capitalism - and you fight against every war!’-

Ernst Friedrich


“One can throw away a chair and destroy a pane of glass; but those are idle talkers and credulous idolaters of words who regard the state as such a thing or as a fetish that one can smash in order to destroy it. The state is a condition, a certain relationship between human beings, a mode of behavior; we destroy it by contracting other relationships, by behaving differently toward one another. One day it will be realized that Socialism is not the invention of anything new, but the discovery of something actually present, of something that has grown…. We are the state, and we shall continue to be the state until we have created the institutions that form a real community and society of men.”
- Gustav Landauer

“One can throw away a chair and destroy a pane of glass; but those are idle talkers and credulous idolaters of words who regard the state as such a thing or as a fetish that one can smash in order to destroy it. The state is a condition, a certain relationship between human beings, a mode of behavior; we destroy it by contracting other relationships, by behaving differently toward one another. One day it will be realized that Socialism is not the invention of anything new, but the discovery of something actually present, of something that has grown…. We are the state, and we shall continue to be the state until we have created the institutions that form a real community and society of men.”

- Gustav Landauer



“International Anarchist Manifesto on the War” 1915

“…The truth is that the cause of wars, of that which at present stains with blood the plains of Europe, as of all wars that have preceeded it, rests solely in the existence of the State, which is the political form of privilege.

The State has arisen out of military force, it has developed through the use of military force, and it is still on military force that it must logically rest in order to maintain its omnipotence. Whatever the form it may assume, the State is nothing but organized oppression for the advantage of a privileged minority. The present conflict illustrates this in the most striking manner. All forms of the State are engaged in the present war; absolutism with Russia, absolutism softened by Parliamentary institutions with Germany, the State ruling over peoples of quite different races with Austria, a democratic constitutional régime with England, and a democratic Republican régime with France.

The misfortune of the peoples, who were deeply attached to peace, is that, in order to avoid war, they placed their confidence in the State with its intriguing diplomatists, in democracy, and in political parties (not excluding those in opposition, like Parliamentary Socialism). This confidence has been deliberately betrayed, and continues to be so, when governments, with the aid of the whole of their press, persuade their respective peoples that this war is a war of liberation.

We are resolutely against all wars between peoples, and in neutral countries, like Italy, where the governments seek to throw fresh peoples into the fiery furnace of war, our comrades have been, are, and ever will be most energetically opposed to war.

The role of the Anarchists in the present tragedy, whatever may be the place or the situation in which they find themselves, is to continue to proclaim that there is but one war of liberation: that which in all countries is waged by the oppressed against the oppressors, by the exploited against the exploiters. Our part is to summon the slaves to revolt agsinst their masters.

Anarchist action and propaganda should assiduously and perseveringly aim at weakening and dissolving the various States, at cultivating the spirit of revolt, and arousing discontent in peoples and armies.

To all the soldiers of all countries who believe they are fighting for justice and liberty, we have to declare that their heroism and their valor will but serve to perpetuate hatred, tyranny, and misery.

To the workers in factory and mine it is necessary to recall that the rifles they now have in their hands have been used against them in the days of strike and of revolt and that later on they will be again used against them in order to compel them to undergo and endure capitalist exploitation.

To the workers on farm and field it is necessary to show that after the war they will be obliged once more to bend beneath the yoke and to continue to cultivate the lands of their lords and to feed the rich…

To mothers, wives, and daughters, the victims of increased misery and privation, let us show who are the ones really responsible for their sorrows and for the massacre of their fathers, sons, and husbands.

We must take advantage of all the movements of revolt, of all the discontent, in order to foment insurrection, and to organize the revolution to which we look to put an end to all social wrongs.

No despondency, even before a calamity like the present war. It is periods thus troubled, in which many thousands of men heroically give their lives for an idea, that we must show these men the generosity, greatness, and beauty of the Anarchist ideal: Social justice realized through the free organization of producers; war and militarism done away with forever; and complete freedom won, by the abolition of the State and its organs of destruction.

London, 1915.


poboh:

The Seven Ravens, 1903, etching, Vojtěch Preissig. (1873 - 1944)

poboh:

The Seven Ravens, 1903, etching, Vojtěch Preissig. (1873 - 1944)

(via -fenris)


(Source: swstark)


swstark:

Memorandum

swstark:

Memorandum


Emil Cioran

Emil Cioran


Chaos is rejecting all you have learned, chaos is being yourself.
Emil Cioran
A Short History Of Decay (via swstark)

(Source: wearetheweavers)


hoodoothatvoodoo:

Charles Rennie Mackintosh
‘Japonica’
1910

hoodoothatvoodoo:

Charles Rennie Mackintosh

‘Japonica’

1910

(via alliswithin)



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